WHO WE ARE
Dr David Archibald, University Of Glasgow
Film International, Financial Times, Cineaste
Steve Ashton,
Filmvision.net
Dan Bessie
Filmmaker and Culture Critic
Prof. Dennis Broe
Jump Cut, NY Newsday, Boston Phoenix
Dianne Brooks
The Film Files, Writemovies.com
Paul Buhle
Brown University
Lisa Collins
Filmmaker
Benjamin Dickenson
Bright Lights Film Journal, UK
David Ehrenstein
Quarterly Review of Film and Video
John Esther
Los Angeles Journal
Miguel Gardel
Proletaria Press
Michael Haas
Culture critic
Laura Hadden
Pacifica Radio
Gerald Horne
University Of Houston
Reynold Humphries
British Film Historian
Sikivu Hutchinson
BlackFemsLens.org, KPFK Radio
Jan Lisa Huttner
TheHotPinkPen.com, Films For Two
Cindy Lucia
Cineaste Magazine
Pat McGilligan
Film Historian
Bill Meyer
People's Weekly World
Prairie Miller
WBAI/Pacifica National Radio Network
Logan Nakyanzi
Go Left TV, Huffington Post
Victor Navasky
The Nation
Gerald Peary
Boston Phoenix
Louis Proyect
Counterpunch, Marxmail.org
Ed Rampell
Los Angeles Journal
Luis Reyes
Film historian
Nancy Keefe Rhodes
NPR Radio WAER-FM,
Syracuse City Eagle
Nancy Schiesari,
BBC, Channel 4,
Univ. of Texas, Austin
Rebecca Schiller
Culture Critic
Michael Slate
Beneath The Surface, KPFK Radio
Christopher Trumbo
RIP, January 8, 2011
Dave Wagner
Mother Jones, Film International
Linda Z
LFC Film Club
Noah Zweig
UC, Santa Barbara
Film and Media Studies
So in order to best cover all bases, progressive film critics tend to consider three categories of assessment, rather than two: The Good, The Bad and The Ugly. The first two are self-explanatory. And the third category is reserved for movies that may have been impressively put together, but there's just something offensively anti-humanistic about them.
Stay tuned......
No comments:
Post a Comment